TEMPLE OF HYPERBOREA – Engraved From the Cemetery Gates (CD)

(Review by MÃO DA GLORIA)

The debut of this Brazilian duo.
This record embarks on a journey deep into the heart of black metal, weaving together blistering, razor-sharp riffs and atmospheric passages that evoke pagan rituals and haunting ancient landscapes.
The instrumentation delivers an unrelenting sonic barrage where each riff is meticulously crafted to embody the fury and the enigmatic beauty of this genre. The clever incorporation of synthesizers not only reinforces its harmonious side but also serves as a bridge between the uncompromising spirit of old school black metal and more modern aesthetics.
Complementing this sonic assault is Warlord’s vocal performance. A delivery that transforms each word into a chant-like incantation that breathes life into the darkness. Drawing inspiration from pioneering acts such as Wodulf, Veles, Countess, and Throne of Ahaz, his voice channels the legacy of black metal while carving out its distinctive defiance and introspection.
Beyond any sort of sonic aesthetics, “Engraved From the Cemetery Gates” stands as a bold declaration, a call for listeners to confront their inner darkness, embracing the visceral power and haunting beauty of this wonderful genre.